(http://jcms.org.uk/). Professor Eduardo Miranda, director of the Contemporary Music Festival, discusses the 'MULTIVERSE' theme of this year's edition and describes the … Eduardo Reck Miranda (BR/UK) Eduardo Reck Miranda (BR/UK). Programme: Weekend Edition. the covers of the magazines below to read the articles. 04 May 2018, EBS TV South Korea. Presenter: Adam Rutherford. Sunset Center, Carmel-by-the-Sea, California. Eduardo’s distinctive music is informed by his unique background as a classically trained composer and Artificial Intelligence (AI) scientist. PhD Thesis: Data Sonification in Creative Practice. 2012: fourMs Lab & Departmant of Musicology, University of Oslo, Norway. Presenter: Neil Bowdler. 2015. Technology drives the music industry and influences the way we consume, produce and use audio. 2003: Ipem40!, Instituut voor Psychoacustica en Elektronische Muziek, Gent, Belgium. Journal of Arts and Technology, Journal of Experimental Sequencing and Musical Composition'. Programme: All in The Mind. 2019, University of Plymouth, Nuria B. Filella. 2017: University of Regensburg, Institute of Medical Microbiology and Hygiene, Regensbug, Germany. I soon figured out that I could use my computing skills to create music! Music Tech Festival - London, LSO St Luke's, London. 2017: Invited Lecture: Royal Institution of Great Britain, Patron Open Evening: The cognitive neuroscience of music, London, UK. Galeria Sonora de Compositores Latinoamericanos, Denton 2000: Institute for Communication, University of Calabria, Cosenza, Italy. 2004: School of Music, Napier University, Edinburgh, UK. eduardo.miranda@plymouth.ac.uk adolfo@nics.unicamp.br Abstract. My new book, Thinking Music, telling the inside story to my choral and orchestral work Sound to Sea, is now available: Samples of my music and scientific research work are available online at SoundCloud and through my Vimeo video channel. Member of the Editorial Board: International Journal of Unconventional Computing, Old City Publishing. series, Porto Alegre. Narrating Enterprise with Plymouth University - Eduardo Miranda, Professor in Computer Music The Narrating Enterprise film was a concept thought up by the Plymouth … Mainly Mozart, Brendan Nguyen (piano), Atkinson Hall, La Jolla, San Diego, California. Multiplex 2002: Música, Tecnologia e Artes Visuais, Goethe 1998: Department of Artificial Intelligence, Free University of Brussels, Brussels, Belgium. Usage Restrictions. papers published in learned. 2011, University of Plymouth, Alexis Kirke. Guide to Unconventional Computing for Music. 1) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Morphological categories for voice synthesis”, Europe: EP 1 160 764 A1, Publication 05/12/2001; Japan: P2002-23775A, Publication 04/06/2001. 'Mother Tongue' includes a selection of works from his research into … 1996: Festival Elektronischer Frühling, Vienna, Austria. 2005: Encuentros / Encounters at DePaul, DePaul University, Chicago, USA. Leave a Reply Cancel reply. and Theoretical Artificial Intelligence, International 2012: Music Department, University of Aberdeen, UK. Chile. 2014: Peninsula Arts Contemporary Music Festival, Plymouth, UK. Sala Hal, computer music series, Barcelona. 2012, University of Plymouth, Noris Mohd Norowi. PhD Thesis: Biomechanical Modelling of Musical Performance: A Case Study of theGuitar. 2004: St Andrew’s Church, Ten Tors Orchestra, Plymouth, UK. 1999: Department of Computer Systems and Engineering, University of Kobe, Kobe, Japan. 1995: Synthèse Festival, Bourges, France. (piano), Banff Centre Rolston recital Hall, Banff. Member of the EditorialBoard: The Scientific World Journal. For an informal discussion to find out more about the role then please contact both Prof Eduardo Miranda by email eduardo.miranda@plymouth.ac.uk This is a full-time position working 37 hours per week on a fixed-term basis for 12 months in the first instance due to funding. Presenter: Linda Wertheimer. 2003: Ciclo Internacional de Música Electroacustica, Santiago de Chile, Chile. 2003: School of Cognitive and Computing Sciences, University of Sussex, Brighton, UK. 2004: Porto 60, Salão Mourisco, Catarina Domenici (Piano), Porto Alegre, Brazil. With 21,645 students, it is the 38th largest in the United Kingdom by total number of students (including the Open University). This piece harnesses a … TX. It sounds like science fiction, but music made via MRI scans of our heads is here. 2011: Electric Voice Theatre with Frances Lynch, Kettle's Yard, Cambridge, UK. 1996: IEE South East Section, Edinburgh, UK. In this paper we present a model for granular synthesis in which the internal content (spectrum) of grains are defined as Fuzzy Se ts. Janeiro, In addition, I often review papers for the. University of Salford. proceedings, journals and book chapters. Eduardo Reck Miranda’s “Biocomputer Rhythms” is a duet for a pianist and an interactive biocomputer. Photo Credit: Professor Eduardo Miranda (ICCMR, Plymouth University) Plymouth University Your Director of Studies (that is, your lead supervisor) may be based in any of the research groups in the Schools of Art, Design and Architecture , or Humanities and Performing Arts . Miranda’s work at Plymouth University combines his passions for music, AI and the brain. Hall (South Bank Centre), London. Oscars Best Picture Winners Best Picture Winners Golden Globes Emmys San Diego Comic-Con New York Comic Con Sundance Film Festival Toronto Int'l Film Festival Awards Central Festival Central All Events I am a composer and Professor in Computer Music. Histograms to Spectrograms', 'Putting some (artificial) life into models of 2010, University of Plymouth, Leandro Costalonga. 2015: Mainly Mozart, Hausmann Quartet, The Auditorium at TSRI, La jolla, San Diego, USA. Ciclo Internacional de Música Electroacustica, Santiago de 2099: … onde serene…, Piano and electronics, Luciane Cardassi (piano), Banff Centre Rolston Recital Hall, Banff, Canada. 4) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Synthesis of Ultra-Linguistic Utterances”, USA: US 22002/0029145 A1, Publication 07/03/2002. Presenter: Jon Astorquiza. Eduardo Reck Miranda* University of Plymouth Interdisciplinary Centre for Computer Music Research (ICCMR) eduardo.miranda@plymouth.ac.uk Keywords Artificial life music, genetic music, generative music, DNA music, Miranda machine Abstract This article introduces GeMS, a system for music composition informed by synthetic biology. 1999: Synthèse Festival, Bourges, France. Also, I have considerable experience with post-graduate external examinations, with 34 PhD theses examined worldwide within the last 10 years. 2016: Symmetry Festival, Concert Hall of the Collegium Hungaricum Vienna, Vienna. 2006: Invited Speaker: Sonic Fusion Festival – North Edinburgh Arts Centre, Edinburgh, UK. Only peer-reviewed research Understanding biomechanical constraints for modelling expressive performance: A guitar ... Journal of New Music Research; July 2019; Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music? Access to city map with the University location and campus map (the venue is only 10 mins walk from Plymouth rail station) Should you wish for more information, please do not hesitate to contact: Eduardo Miranda - eduardo.miranda AT plymouth.ac.uk Uma viagem musical do Brasil ao Canadá, Luciane Cardassi 2012, University of Plymouth, Daniel Livingstone. 1995: XI Bienal de Música Brasileira Contemporânea, Rio de Janeiro, Brazil. Eduardo Reck Miranda (born 1963) is a Brazilian composer of chamber and electroacoustic pieces but is most notable in the United Kingdom for his scientific research into computer music, particularly in the field of human-machine interfaces where brain waves will replace keyboards and voice commands to permit the disabled to express themselves musically. The Peninsular Arts Contemporary Music Festival, held in the UK, will receive a highly unusual entry this weekend—a duet created by man and fungus. Festival Elektronischer Frühling, Vienna. [ https://www.bbc.co.uk/programmes/b09hr3w6#playt=0h34m56s ]. International Computer Music Conference ICMC, Hong Kong. Eduardo Miranda. PhD Thesis: Design Strategies for Adaptive Social Composition: Collaborative SoundEnvironments. Miranda has created something truly unique ... ... the first piece of music composed for an interactive biosystem. 2002: Multiplex 2002: Música, Tecnologia e Artes Visuais, Goethe Institut, Porto Alegre, Brazil. Invited Speaker: Technarte – International Festival on Art and Technology, Bizkaia Aretoa UPV-EHU, Bilbao, UK. Eduardo Reck Miranda. 2000: School of Music, University of Vienna, Austria. A hat that measures brain signals could be the future of music on the go. Eduardo Reck Miranda: Eduardo’s distinctive music is informed by his unique background as a classically trained composer and Artificial Intelligence (AI) scientist. published over 200 refereed research papers in conference I studied for a degree in computing, but I have always been passionate about music. 26 Nov 2014, BBC World. The biocomputer is an unprecedented interactive musical machine, which uses bio-processors made with slime mould. University of Plymouth's Centre for Health Technolgy RadioMe project is led by Professor Eduardo Miranda from the University’s Interdisciplinary Centre for Computer Music Research (ICCMR). ⦠onde sereneâ¦, Piano and electronics, Luciane Cardassi 2015: Das Musikinstrumenten-Museum, Curt Sachs-Saal, Berlin, Germany. 20 Dec 2012: BBC Radio. I have composed a number of symphonies and an opera. the top 5% most highly cited papers in [his] field worldwide", International Journal of Music Science, Technology and Art, Journal of Artificial Societies and Social Simulation, Simulation: Transactions of the Society for Modeling and Simulation International, Neural, Parallel, and Ciudad de la Habana. 2000: Musique et Art Visuel, Notre Dame de Monts, France. 2016: Invited Speaker: EG Conference, Carmel-by-the-Sea, CA, USA. Biocomputers: Making music from mold. ", 11th International Symposium on Computer Music Multidisciplinary Research. 2001: Institut des Sciences Cognitives, CNRS – Université Claude Bernard, Lyon, France. 2017: Mainly Mozart, Marriott La Jolla, San Diego, California, USA. Plymouth University is one of the UK’s most prominent and dynamic universities with an educational history dating back to 1862. PhD Thesis: EEG Pattern Classification for the Brain-Computer Musical Interface. 2015: Festsaal of TU Wien, Vienna, Austria. Leuchtet im Hirnscanner die Amygdala, wenn der Mensch glücklich ist? 2011: Going North, Luciane Cardassi (piano), Peel Hall, University of Salford, UK. COMPOSITION AS GAME STRATEGY: MAKING MUSIC BY PLAYING BOARD GAMES AGAINST EVOLVED ARTIFICIAL NEURAL NETWORKS Eduardo Reck Miranda eduardo.miranda@plymouth.ac.uk 1997: X Bienal de Música Brasileira, Rio de Janeiro, Brazil. 2011: Música Eletroacústica, Sala dos Sons, Porto Alegre, Brazil. Video screenshot by Leslie Katz/CNET There's a fungus among us -- and it's quite talented. Festival director and musician Eduardo Miranda has put the decomposition into composition: ... a PhD student at Plymouth University, with Eduardo Miranda. 2019: Laboratorio di Informatica Musicale, Università degli Studi di Milano, Milan, Italy. 2006: Department of Informatics, University of Western Britany, Brest, France. I decided to follow my passion for music. Michael Mcloughlin, Luca Lamoni, Ellen C. Garland, Simon Ingram, Alexis Kirke, Michael J. Noad, Luke Rendell, and Eduardo Miranda. Should you wish to join ICCMR to study for a postgraduate degree under my supervision, please do not hesitate to contact me to discuss your interests. eduardo miranda, composer, electronic and computer music, contemporary music, artificial intelligence and music research, ... [36] Miranda, E. R. (2010). EarZoom Festival, Cankarjev Dom, Ljubljana. "Today marks a fascinating musical 2004: Department of Innovative Design, Chalmers University of Technology, Göteborg, Sweden. 2001: Synthèse Festival, Bourges, France. Credit: Eduardo Miranda/Plymouth University Pioneering technology has been used to unite a string quartet and four people living with severe disability for a world first in musical performance. [ https://www.bbc.co.uk/news/technology-26081451 ]. Required fields are marked * Comment. 05 Jun 2015, EITB TV – Bilbao, Spain. 20 Feb 2016: NPR Washington. ... Plymouth University Eduardo R. Miranda Teatro Maria de Lourdes Sekeff. I walk to the office. 2016, University of Plymouth, Joel Eaton. A hat that measures brain signals could be the future of music on the go. PhD Thesis: Emergent Rhythmic Structures asCultural Phenomena Driven by Social Pressure in a Society of Artificial Agents. A selection of interviews and news articles from the the international press are available on-line with Scoop.It. Presenter: Raj Persaud. PhD Thesis: Brain-Computer Music Interfacing: Designing Practical Systems for Creative Applications. I am head of the Interdisciplinary Centre for Computer Music Research (ICCMC), which I created at the University of Plymouth in 2004. 2015: Invited Speaker: Mainly Mozart Festival, Mozart & the Mind, San Diego, USA. 2010: Uma viagem musical do Brasil ao Canadá, Luciane Cardassi (piano), T-Son 61, Studio PANaroma. 'Pulsed Melodic Affective Processing – Using Music for Natural Affective Computation and Increased Processing Transparency', Neural, Parallel, and Scientific Computations, 'Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design', 'On Building Practical Biocomputers for Real-World Applications: Receptacles for Culturing Slime Mould Memristors and Component Standardisation', 'A Method for Growing Bio-memristors from Slime Mold', 'Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music? Cambridge. PhD Thesis: Extended Notation: The Depiction of the Unconventional. Guide to Brain-Computer Music Interfacing. Member of the Editorial Board: Leonardo Music Journal, The MIT Press. Image: Eduardo Miranda/Plymouth University. 2009, University of Plymouth, Marcelo Gimenes. Nobody else knew how to use computers to make music – not even my teachers. scrunching cascade of high splintered sound. Symmetry Festival, Concert Hall of the Collegium Hungaricum Vienna, Vienna. Narrating Enterprise with Plymouth University - Eduardo Miranda, Professor in Computer Music. 2011: EarZoom Festival, Cankarjev Dom, Ljubljana, Slovenia. He subsequently received a PhD in sound design with Artificial Intelligence from the University of Edinburgh, Scotland. Chapter 5: Music of the Mind. Short documentary on biocomputing research leading to a musical performance, developed at ICCMR (Plymouth University, UK) with Prof Eduardo Miranda (composer) and Ed Braund (PhD research assistant). Plymouth, United Kingdom Timbre Composition in Electroacoustic Music, 'A Nonlinear Approach to Generate Creative Data using Physarum polycephalum-based Memristors', 'A Universal Biocomputing Model for Creative Applications: A Nonlinear Approach Using Physarum polycephalum-based Memristors', 'Artibiotics: An Artificial Biology Musical Experiment', 'Music Neurotechnology: a natural progression', The Routledge Research Companion to Electronic Music: Reaching out with Technology, 'BCI for Music Making: Then, Now, and Next', Brain–Computer Interfaces Handbook: Technological and Theoretical Advances, Guide to Brain-Computer Music Interfacing, 'Experiments in musical biocomputing: towards new kinds of processors for audio and music', 'A Comparison of Fitness Functions in a Genetic Algorithm for 2007: Ultraschall Festival, Deutchlandradio Kultur, Sophiensaele, Berlin, Gemany. The Miranda machine is an abstract Turing-machine-like processor, which manipulates a sequence of DNA symbols according to a set of programming instructions. {jaime.serquera, eduardo.miranda}@plymouth.ac.uk ABSTRACT This paper presents a new method for sound synthesis. Markov Chains modulated by Membership Matrices related to the internal structure of the sound grains are used to control the evolution of the sound in time. Eduardo Reck Miranda This paper introduces BioComputer Music, an experimental one piano duet between pianist and plasmodial slime mould Physarum polycephalum. Member of the peer review college of the Austrian Science Foundation (FWF), Austria (appointed 2010 - ), Member of the peer review college of the Danish Council for Strategic Research, Denmark (appointed 2010 - ), Anonymous peer reviewing of numerous research grant proposals for Research Grants Council of Hong Kong, EPSRC, AHRC, The Wellcome Trust, Racomedi, Member of the Review Panel for Alban Scholarships, European Union (2006-2009), Brain-Computer Music Interfacing / Assistive Technology, External Examiner for BA Music Computing, Goldsmiths College (2011 – 2016), External Examiner for the MA/MSc in Music Technology, Dept of Music & Dept of Electronics, University of York (2007 – 2009), External Examiner for the BMus in Music with Computer Sound Design, Dept of Music and Sound Recording, University of Surrey (2007 – 2010), External Examiner for the BMus Honours (Tonmeister), Dept of Music and Sound Recordings, University of Surrey (2007 – 2010), External Examiner for the MSc Applied Artificial Intelligence, School of Engineering, Computer Science and Mathematics, University of Exeter (2006 –2010), External Examiner for the MSc Music Information Technology, City University (2006 – 2009). Eduardo Miranda. He works at the “crossroads of music and science”. 2019: Invited Speaker: Rigetti Computing, Berkeley, CA, USA. Member of the Editorial Board: Journal of Sonic Studies. OSPA (Porto Alegre Symphony Orchestra), Official Concert The collaboration between the Universities of Plymouth and Oxford will develop QuTune, a bespoke Quantum Computing programming toolbox to help musicians engage with the emerging – and transformative – technology. 1999: Temporada de Conciertos 1999 del la Casa de las Americas, Ciudad de la Habana, Cuba. Jornadas de Música Electroacustica, Montevidéo. Electronica III, BBC Concert Orchestra, Queen Elizabeth RM sElocation. Programme: Music Matters. Presenter: BBC diplomatic correspondent, Bridget Kendall. 22 Jan 2012 BBC World Service. That’s a no-brainer. Researcher Markus Buehler at MIT has been working with musical representations of proteins to enquire about novel protein structures. Presenter: Tim Muffett. University professor and leader of MA Music, Eduardo Miranda was invited to speak at the Royal Institution of Great Britain to explain our research connecting music, the brain and technology. Eduardo Miranda Interdisciplinary Centre for Computer Music Research (ICCMR) Plymouth University, UK eduardo.miranda@plymouth.ac.uk ABSTRACT This work describes a new approach to … Muziek, Gent. Programme: BBC Click. 07 Dec 2004, BBC Radio 4. Share. 2012: Invited Speaker: Plymouth International Book Festival, Plymouth, UK. [ https://www.volvocars.com/uk/about/humanmade/discover-volvo/music-of-the-mind ]. PhD Thesis: Application of Intermediate Multi-Agent Systems to IntegratedAlgorithmic Composition and Expressive Performance of Music. 2016: Invited Speaker: NeuroTechX, London, UK. Programme: The Forum. Clever, and strangely The Narrating Enterprise film was a concept thought up by the Plymouth based agency The Bridge to promote the interesting and enterprising staff within the University of Plymouth. As soon after I graduated, I worked as a systems analyst for a large corporation. 2019: University of Oxford, Department of Computer Science, Oxford, UK. PhD Thesis: Music as Emergent Complex Behaviour. History. (piano), T-Son 61, Studio PANaroma. Programme: HUMANITY 4.0. I served as a research scientist at SONY Computer Science Laboratory in Paris before moving to the University of Plymouth in 2003 to establish the Interdisciplinary Centre for Computer Music Research (ICCMR). 2005: Department of Computer Science, University of Exeter, Exeter, UK. Presenter: Roland Pease. Das Musikinstrumenten-Museum, Curt Sachs-Saal, Berlin. 1998: Laboratoire d'Informatique de Paris 6, Université Pierre et Marie Curie, Paris, France. Prof Eduardo R. 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